This is an extended version of the interview I did for The Swanky 17s Debut Club
Caroline
Leech interviewed fellow Brit, Sarah Alexander, about her YA debut, THE
ART OF NOT BREATHING, a contemporary novel about loss and grieving, just
published by Houghton Mifflin Harcourt in the USA and by Usborne in the UK.
About
the Novel
Five years after the drowning
of her twin brother, Scottish sixteen-year-old Elsie Main confronts tempestuous
seas – and her family’s tragic past – as she tries to remember what really
happened that fateful day on the beach. One minute Eddie was there, and the
next he was gone. Seventeen-year-old Tay McKenzie is a cute and mysterious boy
that Elsie meets in her favorite boathouse hangout. When Tay introduces Elsie
to the world of freediving, she vows to find the answers she seeks at the
bottom of the sea. A young adult debut that will appeal to fans of E.
Lockhart’s WE WERE LIARS and Jandy Nelson’s I’LL GIVE YOU THE SUN.
About
the author
Sarah Alexander grew up in London with dreams of exploring
the world and writing stories. After spending several years wandering the globe
and getting into all sorts of scrapes, she returned to London to complete a
Master's degree in Creative Writing at Birkbeck College in 2013. She works in
publishing and lives with her husband and two chickens. THE ART OF NOT
BREATHING is her first novel.
You
can find Sarah on Goodreads, Twitter, Facebook, Pinterest, or at www.sarahalexanderwrites.com.
So,
Sarah, tell us about the art of writing and THE ART OF NOT BREATHING
Caroline: What came to you first – freediving or Elsie?
Sarah: Elsie and her mum came
to me together, almost fully formed. I always wanted to write about loss and
grief, and also about an interesting mother/daughter relationship, so they came
as a package. Originally I wanted Elsie to be quite down, not really knowing
what to do with herself or with her life. She was just keeping her head down
and getting on with it, but then I realized that she needed to find a passion.
I had the seaside setting in my mind, but it took longer for the freediving to
emerge. In the end, the themes of suffocation, isolation and escape combined
with the seaside setting led me to the underwater world.
Caroline: So are you a swimmer or freediver
yourself?
Sarah: I’m actually a scuba diver, rather than a freediver, because I like to
breathe when I’m underwater! I have tried freediving though I don’t go very deep because
that’s really scary, but I like to go a bit beneath the surface to see what is
down there. I love the water, especially having that space to myself where no
one can speak to me and interrupt my thoughts.
I qualified as a scuba diver in 2004
in Thailand and though I’ve
not dived in Scottish waters, I’ve dived all
over South East Asia, the east and west coasts of Australia, South Africa, the
Red Sea, Egypt, Jordan, and the Galapagos. In Brazil, I even dived in an
underground lake. To get to it, I had to rappel 300ft into a cave, and then the
scuba gear came down on the rope. Once I’d had a scuba around, I then had to
rappel myself back up.
 |
| from Chanonry Point, near Fortrose, on the Black Isle |
Sarah: The idea for the
setting came to me when I visited there. I have spent lots of time in Scotland
because that’s where my father is from and I’ve other family up there, so I’ve
spent lots of family holidays on Scottish beaches being whipped by the wind. To
me, Scotland always felt like an idyllic family place but also the weather was
perfect for my setting because I wanted somewhere windy and cold, with long dark
winters and balmy summers. Interestingly when I did go on my research trip to the
Black Isle, it was July and we had the most incredible weather, like being in
Turkey. That was a bit weird, but I loved the long twilights, when you think
it’s about to get dark, but an hour later it’s still the same, and that gave me
such an eerie setting.
I also
wanted somewhere that had some British wildlife, so the dolphins and the otters
are in there, and obviously very cold
water.
Caroline: There are several serious issues addressed in the book –
bereavement, parental separation, fat-shaming and eating disorders. Did you set
out to make them part of the book?
Sarah: It was always going to
be a story about loss and grief, and all the characters have their own way of
dealing with it. Elsie discovers freediving, her mum Celia drinks and stays
out, her dad is absent. And I always wanted to write about male eating
disorders. I didn’t know it would be in this book, but it just came with Dillon.
I realized that there was a real physical connection between starving your body
of oxygen and starving your body of food. So though the issues weren’t really
at the forefront, as I got to know the characters they each told me how much
pain they were in.
Caroline: Elsie smokes, drinks, steals, skips school and generally
disobeys every instruction anyone gives her, yet we still know she is a decent
person at heart. How did you know you could maintain Elsie’s good soul amid all
the “naughty” stuff she does?
Sarah: I’m not sure whether I
knew that I could or not. I just knew that she had all of these amazing
qualities that no one else saw, and she was really the one that held her family
together. She does all the caring, she looks after her mum, she keeps any eye
on Dillon and also on Eddie when he was alive, so for me that was always at the
core of her. And the badass stuff was her being a typical teenager and
thinking, “What can I get away with?” She just tries things. I think that’s
what drove her character forward. She doesn’t care what anyone else thinks, and
that’s what I love about her.
 |
| The Moray Firth from Chanonry Point |
Sarah: Luck! No, that’s not entirely
true. A lot of it is to do with luck, and the rest is just bloody-mindedness.
It took me two years to write this book. I started it when I was doing my
creative writing MA. I wrote a chapter for a class that I was taking, and to my
surprise, everyone loved and said, “you’ve got something there”. So I went with
it. It took me a couple of months more to get the story straight in my head,
and then I spent about six months faffing about with the first ten thousand
words. I then realized it was never going to get finished, so I gave myself a
deadline of when it had to be done and stuck to it. Fortunately, an agent loved it too, although
she made me do endless revisions until she thought it was ready to go out on
submission.
Caroline: And what is your writing process – every day or weekend
binges?
Sarah: Both. Sometimes I block
out all Saturday and Sunday, and write all day and all evening, and then other
times, I’ll just do half an hour before work, half an hour at lunchtime and again
after work, and that’s enough. And then I’ll spend a day bringing all those
bits together. I didn’t really have a plan with THE ART OF NOT BREATHING, I
just had an end-goal in mind, and knew I had to get it finished by a deadline I
set myself.
Caroline: So what’s next? Another book?
Sarah: Yes, it’s work in
progress… in my head and partly on paper… and in my phone… and on post-it
notes… and on the back of my hand. It’s a standalone contemporary about fear.
Fear in terms of being afraid, and also about not being afraid of anything.
Caroline: You are having an almost simultaneous UK/US publication, so
how are you dealing with that transatlantic split personality?
Sarah: It is like having two
different books. The US has different lead-times to the UK, so the draft of the
US version was done months before the final draft of the UK version. That meant
that every time I was doing a round of edits, I was making them in two different
places, not to mention the process of Americanizing something when you don’t
really understand American. I shared that task with an editor, though there was
a fair bit of going back and forth. They changed the spellings, and they’d flag
up something that they didn’t understand and ask me to ‘translate’ it, which
was interesting. I’ve no plans for a US book tour yet, but hopefully one day.
SPEED ROUND
Happy ending or realistic ending?
Realistic,
even if it’s painful. This is really hard because, as a reader, I want
realistic endings, but I also hate being unhappy and I like resolution. But as
a writer, I want to tell the story the way it should be. I want to acknowledge
that in life, stories don’t end when we think they end. So it’s a battle between
my own needs and a reader’s needs, and hopefully I manage to get a balance
between it being realistic, with a little bit of hope, but leaving it open
because who knows what might happen next?
How’s your diet – caffeine and sugar or herbal
and fiber?
Depends
on my mood and whether it’s a day ending in a Y. My favorite writing snack is carrot sticks…
with wine. But if someone brings me a cake, I won’t say no.
Playlist or peace and quiet?
Usually
peace and quiet.
What are you reading right now?
REBEL OF
THE SANDS by Alwyn Hamilton which was recently published. She’s awesome.
What’s the best word to describe how cold the
waters of the Moray Firth are?
Bloody
freezing! Or Ball-achingly cold!
And the big question: do you consider yourself
Scottish or English?
British! I
don’t think I can consider myself Scottish because I’ve always lived in London,
but if anyone asks, I do tell them that I’ve got Scots blood in me. I suppose
that I’d break myself down to 25% Scottish, 25% Welsh, 50% London!
You
can order Sarah’s book in the USA in hardback, e-book and on audiobook from your
local bookstore, or from Indiebound, Barnes & Noble, Books-a-million, or on Amazon.
GIVEAWAY TIME!
To celebrate the release of THE ART OF
NOT BREATHING, Caroline and Sarah
are giving away two copies of the book - one to a reader in the United States and one
to a reader in the United Kingdom. For five different chances to win, use the
Rafflecopter entry forms below for either the US or the UK, depending
on where you live. Deadline for entries, midnight on May 6th, 2016.
